Although I have been known to groan about commissions, I have done quite a few of them in my art-making life. I still do them. Sales have been down in some areas, so I have been more agreeable to the idea this year.
This horse head commission came from one of my cards of a large painting series I did a long time ago. I blogged about it earlier this year at the beginning of my process. The request was for a 20″ x 20″ or 24″-square version of that 48″ -square painting. This is the one the customer selected….
from the five I had done.
I’ve got two of them here.


The others I put back on the easel for tweaking and/or massive changes. They could have gone like they were if he wanted them, but left with me, they came back under my ruthless eye.
I always work on more than one thing at a time. For commissions that means I have more options and so does the customer. It’s not all hanging on one piece.
This means I have some room for explorations.
This commission is for a painting of koi and water lillies. This request, too, came from another painting of mine the customer had seen at a friend’s house.
I CAN’T match what I did back then–that is the lesson from these experiences (over and over, I keep learning this)–but I can start from that seed and see where these particular paintings go/grow. This version of the idea is not quite done but much further along than I realized a month ago when I put it away for a break.
This is the painting that she likes. We are refining it together, tweak here and there, color warming where needed. It’s not always possible to tweak and fix a painting for someone. Sometimes I’m spent and can’t do a thing more. But if my eyes and energy are still fresh, and my interest, I can look again with the customer and see what’s changeable.

I want the buyer to be pleased and happy to live with their painting for a long, long time.